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game_systems:world_of_darkness:mage:jacksonville:jacksonville_journal [2025/09/12 20:18] – [Ranger Work] Bryan Stephens | game_systems:world_of_darkness:mage:jacksonville:jacksonville_journal [2025/09/12 23:08] (current) – [Mrs. Kravitz] Bryan Stephens | ||
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Mountain pose: feet root, crown lifts. Breath to a steady four in, four out. Forward fold, half lift, fold. High plank, chaturanga, up dog, down dog — calves pedaled awake. Warrior I, settle the hip; Warrior II, soften the jaw. Triangle. A slow lunge twist rings out the spine. Thoughts roll in like shells; she lets each slide away. A small hello threads from her soles into the room, the building, the morning — not reaching, just belonging. | Mountain pose: feet root, crown lifts. Breath to a steady four in, four out. Forward fold, half lift, fold. High plank, chaturanga, up dog, down dog — calves pedaled awake. Warrior I, settle the hip; Warrior II, soften the jaw. Triangle. A slow lunge twist rings out the spine. Thoughts roll in like shells; she lets each slide away. A small hello threads from her soles into the room, the building, the morning — not reaching, just belonging. | ||
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====Mrs. Kravitz ==== | ====Mrs. Kravitz ==== | ||
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Mae is not even parked when Gladys Kravitz comes stalking over to Jessie, ignoring Mae as she always does. A mere CEO is not good enough for Gladys Kravitz – She has to talk to the //Owner//. | Mae is not even parked when Gladys Kravitz comes stalking over to Jessie, ignoring Mae as she always does. A mere CEO is not good enough for Gladys Kravitz – She has to talk to the //Owner//. | ||
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=== The Node === | === The Node === | ||
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Friday the day is already looking good at the Moon and Wave. Bell is settling in. Jessie comes to her and beckons, //”Come with me, I want to show you something”// | Friday the day is already looking good at the Moon and Wave. Bell is settling in. Jessie comes to her and beckons, //”Come with me, I want to show you something”// | ||
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To work. It is a short drive to Makergod. | To work. It is a short drive to Makergod. | ||
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She had started with triage under the microscope: scorched PMIC lifted, rails mapped, and a hairline fracture under the USB-C port wicked full of silver epoxy. She reballed the storage chip, reflowed two buck converters that read noisy on the scope, and replaced a row of singed TVS diodes so a future surge would die there instead of in the core. The new backplate she 3D-printed in PETG carries a thin copper mesh—her Faraday “veil”—and a screw-in cradle for a coin cell to keep the RTC stable when the main pack is off. Between reflows, she sketched a fresh board trace on mylar, then translated it into a razor-clean flex patch to bridge a delaminated zone by the haptic motor. Every fix got logged, voltage-stepped, | She had started with triage under the microscope: scorched PMIC lifted, rails mapped, and a hairline fracture under the USB-C port wicked full of silver epoxy. She reballed the storage chip, reflowed two buck converters that read noisy on the scope, and replaced a row of singed TVS diodes so a future surge would die there instead of in the core. The new backplate she 3D-printed in PETG carries a thin copper mesh—her Faraday “veil”—and a screw-in cradle for a coin cell to keep the RTC stable when the main pack is off. Between reflows, she sketched a fresh board trace on mylar, then translated it into a razor-clean flex patch to bridge a delaminated zone by the haptic motor. Every fix got logged, voltage-stepped, | ||
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//He nods, pleased. // | //He nods, pleased. // | ||
- | //That night, she hides the straightened nail in her pencil box like a talisman.// | + | That night, she hides the straightened nail in her pencil box like a talisman.// |
Back in the present, Weilin turns on the tablet. //”Come on Lucky-Chan”// | Back in the present, Weilin turns on the tablet. //”Come on Lucky-Chan”// | ||
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Weilin covers the back. She is calm. Life growing up was not always safe. Not like for Americans. Not even like well off Chinese. Her Grandfather was watched. She knows danger. His voice echoes in her ears. The war. Chosin. | Weilin covers the back. She is calm. Life growing up was not always safe. Not like for Americans. Not even like well off Chinese. Her Grandfather was watched. She knows danger. His voice echoes in her ears. The war. Chosin. | ||
- | // “We were pushed back,”// he said, not shameful, just factual. //“We learned to bend without breaking.” His fingers pause on the mala. //“There are things in mountains older than flags.”// He didn’t elaborate. | + | // “We were pushed back,”// he said, not shameful, just factual. //“We learned to bend without breaking.” His fingers pause on the mala. //“There are things in mountains older than flags.”// He didn’t elaborate.// |
//” A circle is a promise”// | //” A circle is a promise”// | ||
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Sam pulls his knives and readies for the two zombies to approach. He and Josh are blocking the door into the room. Both are still coming. Sam has been here before too. Unknown things, out for blood, only his knives and his magick. Sam has lived on this ground. | Sam pulls his knives and readies for the two zombies to approach. He and Josh are blocking the door into the room. Both are still coming. Sam has been here before too. Unknown things, out for blood, only his knives and his magick. Sam has lived on this ground. | ||
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Before they break up, Jessie talks with Weilin, | Before they break up, Jessie talks with Weilin, | ||
- | //”The Technocratic Union can listen to us if it chooses. Can you write a secure app for our phones? One that bypasses the play stores and such. One that is secure for us?” | + | //”The Technocratic Union can listen to us if it chooses. Can you write a secure app for our phones? One that bypasses the play stores and such. One that is secure for us?”// |
Weilin grins, //”That is no problem.”// | Weilin grins, //”That is no problem.”// |